Edit these reading summaries below to look different but keep the same content.

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Edit these reading summaries below to look different but keep the same content.

Edit these reading summaries below to look different but keep the same content. ( note: when you edit the summary, please keep only 150 words for each summary )
1. Barnett Newman, “The Ideographic Picture”, A. Gottlieb Statement, Mark Rothko Statement
Mark Rothko states in defense to his art style that a painting should be regarded as an individual with a mind on its own. The companionship and interaction between a viewer and the painting is crucial. Adolph Gottlieb statement also adds on to Rothko’s perspective by stating that abstraction is a way for artists to move forward into the future of the artworld rather than being held back by academic requirements set by critiques and museums. Abstraction is not abstract but rather the future of realism. Additionally, Newman adds on to support the idea of abstract artists by stating that abstract painters disregard all forms of ideas. The shape and object within the painting is a living being itself, exist in its own world and the color chosen to paint over the shape is its natural characteristic.
2. J.-P. Sartre, from Existentialism and Humanism
Sartre talks about his existentialism philosophy in this reading and further explains it. Existentialism is the philosophical belief that every man is responsible for the purpose of their life without following orders given to by authorities or even God. Sartre then proceeds to compare existentialism to modernist artists. Sartre takes on the side of modernist artists and their abstract painting style by stating that similarly to the idea of existentialism, each artist is responsible for creating what they create. Their painting are not supposed to be followed by a set of regulations rather, they can simply create artworks based on what the artist put themselves in the composition. Essentially saying what an artist make is what he will made, we are not one to judge upon a man’s decision to which he is responsible for making.
3. Francis Ponge, “Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti”
This reading is Francis Ponge, a writer, summarizing the works of Alberto Giacometti. Ponge describes the unusually frailed and tall shaped figures in Alberto Giacometti’s works in a poetic storytelling way. He describes the figures as a free man whose frail-like appearance is due to the misery of the world that he lives in. The walking motion of the figure is man on a search for himself exhausted and aimlessly. Ponge also talks about how man’s values are being stripped off of him like fat falling off of his body, connoting to the imagery of the figure dramatic skinny and tall appearance.
4. Jean Dubuffet, “Notes for the Well-Lettered”
Jean Dubuffet’s notes on creating a painting is written in a dictionary-like manner with different categories referring to each different step an artist must think of when painting. Such steps are disregarding the idea of form, simply letting the spontaneous result of what may comes out of an artist brush be their intention. Dubuffet also touches on not working too hard when painting, let the flow of creativity and the medium guide the artist on the canvas. He heavily emphasized the importance of unintentional mistakes when painting such as uneven strokes or accidental splatters of paint. He recommends the artist to go along with those mistakes and reap the rewards coming out of it instead of running away from those mistakes.
5.Jean Dubuffet, “Crude Art Preferred to Cultural Art”
This reading is Jean Dubuffet’s manifesto for a large major exhibition held at Galerie Drouin in 1949 with the participation of 63 artists with over 200 artworks on display. Dubuffet talks about the difference between art and academic. Although sharing a similar idea as both are means of knowledge, art is the knowledge of visual whereas academic is knowledge that has been tampered with throughout time where one can be judged as an intellectual individual based on their memory of formulas. Dubuffet the goes on to personify art as “Mr.Art”, describing Mr. Art’s personalities such as disliking to be regarded as something specific. Additionally, Mr. Art is someone who walks among everyone but no one expects him to be there. Artists create by using everything from within their being both physically and spiritually, rather than based on using academic traits. Dubuffet concludes by talking about how there are artists within this exhibition that are from psychiatric hospitals because art is simply art even if made by something who isn’t completely sane.

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